international women’s day
I was invited to contribute to the Mary Sue for International women’s day. I created a short comic about one of my favorite authors, Arundhati Roy. Read it and my interview here.
I hope you have a lovely week!
I was invited to contribute to the Mary Sue for International women’s day. I created a short comic about one of my favorite authors, Arundhati Roy. Read it and my interview here.
I hope you have a lovely week!
I am in this month’sGood Housekeeping magazine. In the almost 6 years I’ve been working as a full-time artist I’ve never been in print. I have been rejected countless times by blogs, magazines, stores, etc. At first it would really hurt. After awhile I got used to the rejection and took it as par for the course, because it is. My work isn’t the right fit for every store, every blog or every magazine. In fact my work has the funniest (to me) accusations of being: too colorful, too whimsical, too kid-friendly. I’ve worked hard to develop my own style (and I’m still learning every day) and I won’t change who I am or my work to fit into someone else’s idea of art.After years creating original art (not fan art), learning how to make a living creating art that represents the underrepresented, failing, late night marketingemails, doubting myself CONSTANTLY, attending workshops, reading books on artistic process, approaching shops in person to carry my prints, being rejected, working, working working… yesterdayI walked into a bookstore and picked up a NATIONAL magazine with my work inside. I cannot put into words how this makes me feel. If you’re around a newsstand, please check it out ^_^I hope you have a lovely weekend ^_^
Many things have contributed to finding my path as an artist. From an incredibly supportive husband, fabulous friends, to a love of storytelling… I receive questions every week about how I got here, what tools I use, what inspires me… so, I thought it might be helpful to write a bit about how I got here.
After college I had a host of jobs. Most of them weren’t right for me. In fact, I quit one job by placing my office keys on the desk, submitting my resignation via email and simply walking out, never to return again. Because the job wasn’t just making me miserable, it made me hate life. Another job I held for one single day. I learned that I am headstrong, I take action and think about the consequences later. I don’t recommend it, but it has mostly worked for me. Of all my jobs before art, the only job I enjoyed was working at the library. I was an assistant but I never felt like one. There was a level of respect, playfulness and curiosity that I loved there. (My ideal world is one full of art and books.) I worked at a cafe and and the library, took out massive loans (which I’m still paying off) and enrolled in art school at the age of 27. I was often the oldest person in my classes, and believe me when I say that I was AWFUL in comparison to the students 8 years younger than me. Being older, my one advantage was that I was clear about what I wanted to do – I wanted to create illustrations to make people happy and I wanted to write books.
Returning to my headstrong self, I learned what I felt like was enough and dropped out of art school. I began drawing everyday. I am now 3 years and 500+ illustrations deep into running my own show. I admit I am distracted by shiny, new, well-paid opportunities. Many of the artists I know work at animation or game studios. I was recruited by one of the big animation companies last year and turned down their request for an interview. I have to keep clear on my goals even when it’s easy to be swayed by big names. I am a full-time artist and business. Anyone who has started their own business knows the painful truth that YOU are the only way that your business earns and moves forward. I realize the path I chose is harder. Much, much harder than I had imagined. The majority of my income comes from my personal work and a small percentage from commercial work. I work weekends, nights, and sometimes I am disheartened by the lack of opportunities I have simply because I’m not associated with X, Y, or Z company. That’s the reality of any industry. But I truly prefer working for myself. I prefer creating artwork that I feel passionate about and working on projects that speak to me.
I don’t see myself as an authority on much of anything except my own experience. I can tell you what software I use to create my digital illustrations, what wood burning tool I use and what watercolors and pens. I believe in the beginning of any creative pursuit the idea that knowing the tools of your favorite artist will help you reach your goal is an easy trap. No one can create artwork like me because its not about my tools. My history, my experiences, feelings and thoughts inform my work. I use flash and photoshop, but you could find that you hate those tools. Then where will you be? In the end you have to find what works for you and go toward that. I battle a lot of insecurity and doubt, every week, every day, and recently that’s lead me to try new things… which is good and bad. Good because I get bored and trying new things keeps me excited and fresh. Bad because sometimes I fall into the same trap. I look at what others are doing and try to BE them. I have to constantly remind myself that although I might be good at a small amount of things, it is those things that I must focus on. I must go towards the things I’m good at, develop those and keep focused.
If I have arrived at a place that is admirable to others, I did that by being true to myself and working hard. I am not talented. I have no secret formula to create my illustrations or wood burnings. There is no magic button that makes shops carry my work or blogs write about my work. It comes from a constant pursuit of independence. I wanted to be free to create what I want, work where I want, with whom I want and make people happy.
Before beginning any path, creative or not, I think its important to be clear and focused. That is what will propel you forward. So… do you truly know what you want to do?
i’ve had a lot of people ask how i make my images and if i do commissions (yes, i do!) so i thought i would share my process.
a bit ago, a client contacted me to create an image of her and her hubby for their first wedding anniversary. so cute! i love those kinds of jobs and i felt very honored to be a part of their special day. she gave me some direction – their honeymoon to greece, them walking together, and sent me a bunch of photos. we agreed on a price, which included a couple rounds of revisions and i sent off preliminary drawings.
after i sent these to her, she told me what she liked – the look between them in the first, the composition of the third, except it felt unbalanced on the left. oh, and that she wanted her black boots (hehe) and i had put a cat in her hubby’s bag (third), but they actually have a dog! i revised the sketches and sent her the following sketch.
this made her very happy so there was only one revision.
from here i took my line drawing and in flash added a layer over it and went in with color. i don’t usually have any specific color in mind, i am fairly intuitive with colors. after looking at her photos, i knew the kinds of outfits both of them wore and i generally tried to pick colors that would unify them and the entire piece.
after this, i take the drawing into photoshop. i add highlights, gradients and this is where i spend time playing with overlays of color and really finalizing the image.
and voila! she was very happy and so was i! ^_^