Posts

Milkwood

Two weeks ago I ventured to upstate New York to a retreat run by Sophie Blackall called Milkwood.

Each detail in the space, from the rooms to the halls felt as though it was from a kidlit fairytale. I spent the weekend with wonderful authors, Ruth Chan, Cátia Chien, Mike Curato, Sophie Diao, Xelena Gonzalez, Irena Freitas, Sharee Miller, Qing Zhuang and K-Fai Steele.

We didn’t have an agenda. We walked, talked about the book industry, shared our work and made new work while being graciously cared for by Sophie, Ed and their lovely crew. I felt completely away from the world, surrounded by abundant land and beautiful skies.

It’s rare to gather together in a space where we aren’t asked to do or be anything but our creative selves. To share with one another and have a gorgeous space to pause and rest.

The reality of working on books can be rough. Like any job it’s rife with stress, disappointments and fear. During the pandemic it magnified. My books may falter, my work may not make any lists or garner awards, the sales may dampen or fizzle… the excitement of tv/film deals will come and go, but the relationships I forge and the connections I make will sustain.

On the last evening together, Sophie brought out wish lanterns. We paired up and released them into the autumn sky. I was magical.

My time at Milkwood was a balm to the pressure and sadness that lurks in the corners of this work. It reminded me of the beauty in the world. The beauty in community and creation. Sophie and her crew made delicious food and thought through every detail. The space felt full circle. Making books for kids requires the ability to put ourselves in a child’s shoes, to share magic and joy and maybe some wisdom. My childhood was less than ideal. But in the few days that I spent at Milkwood, I felt like a child. Cared for, nurtured and given the space to breathe.

I am forever grateful.

the high line

Book Expo was a wonderful whirlwind. I took the opportunity to walk to dinner and enjoy the city after a few interviews and my panel. I held a physical copy of Pashmina in my hands for the first time! Then I signed 100 advanced copies and was introduced as an author ^_^

I’ve been worried about not knowing what to do as a debut author and feeling generally lost. The trip alleviated many of my concerns. I know my worries are only temporarily silenced but while they are – I will embrace happiness.

new york bound!

yellowcab

we are so excited (and overwhelmed with preparations) that we’re headed to new york for new york comicon! it will be our first east coast show! if you’re planning on attending and would like us to bring specific prints, please let me know. we will be in artist alley, table E6 – can’t wait to see you there!!

back home we have exciting news as well! we’ve opened a one week pop-up shop at stonestown mall in san francisco! come by our kiosk across from gymboree this week to shop our selection – we hope to return for the holidays as well!

stonestownkiosk

new cards + live watercoloring

newcards

 

We’ve updated the shop with a bunch of new cards! Which is your favorite? ^_^

Also, this Saturday I will have a pop-up at Wink SF and I will be doing some live watercoloring! Come by and say hello!

Nidhi-event-flyer

 

new york pizza

newyorkpizza

One of my recent commissions – it was so much fun!

lady liberty

ladyliberty

 

grand central

grandcentralI will be exhibiting at APE this weekend in san francisco! come by and say hello – table 619. ^_^

 

after the storm

afterthestorm

rockefeller

central park take two

part of drawing everyday means i make the choice, everyday, to create. i love it! i feel myself growing and changing through that process. i never run out of ideas or new things to try. i’m also my own worst critic, and i nitpick my drawings to no end… mostly in my head. when i created the central park image, i was trying new painting techniques and brushes in photoshop, i fell in love with the scene, the foliage, the light and shadow, but i rushed the characters. the original image is fine as it is, but i wasn’t happy with it. the characters felt like an afterthought, and i’ll admit that to some degree they were. so for the first time ever, i decided to go back, scrap the characters and try again.

at the end of that day, i can choose to leave well enough alone, or strive to make it better.
this is me choosing to make it better.